In a 2013 interview with Anat Cohen published in JazzTimes, one of my heroes , composer and wind instrument virtuosos Paquito D’Rivera talks about what he learned from his father about listening to good music.
“Well, my father is still today a main figure to look up to in my career. He was a classical saxophone player. He never had the ability to improvise. But he loved the music of Ellington, and especially the Goodman Orchestra. He used to play for me many Goodman swing band songs; he never called it “jazz.” For some reason he didn’t like the word “jazz.” He preferred to call it “swing.” He’d play the Goodman Swing Orchestra back to back with Goodman’s wonderful rendition of Mozart’s Clarinet Concerto. So, I was like 8 or 9 years old and also I was pretty confused. But it was a very happy confusion, because he had the concept of that music. He was very Ellingtonian, not only because he loved the Ellington orchestra, but because he said there are only two kinds of music: good and the other is not. When you play or at least try to understand different sides of music, you become a better musician, like when you can speak different languages. You understand life better, you know? So I think it is a big mistake when people concentrate only on one. Many jazz people are too sectarian sometimes. They don’t want to hear nothing else but Bird, Dizzy, Ellington and so on. What about listening to other types of music that Bird, Dizzy, and Ellington tell you to listen to? I think those great jazz musicians are so great because they understand other cultures. Jazz is a music coming out of a multi-national and multi-ethnic society and country. Everybody here has put their own thing into this wonderful style called “jazz.” So, my father saw that from the beginning, and I was very fortunate to be his student.”
FluteDaddy is honored to take the stage at Motif Jazz Cafe, Colorado Springs #1 Jazz Club 8 PM Friday 8/31. FluteDaddy quartet will be premiering five of Joseph’s new compositions and playing some fresh takes on jazz standards and Brazilian jazz tunes. Joseph Liberti flutes, Adam Ohlson keys, Marc Neihof bass and Tyler Kennamer drums. Join us for for some”FluteDaddy jazz – original, beautiful and hip.”
“I feel like there are more reasons to be excited about improvised music today than at any time during my 41 years on the planet,” the jazz critic Nate Chinen tells Rolling Stone.
Rolling Stone Says: “He has a point, and you don’t need to be a diehard fan of the genre to appreciate it. Crossover stars such as Kamasi Washington and Esperanza Spalding are receiving generous mainstream attention, alongside innovators like pianist Vijay Iyer and guitarist Mary Halvorson. Meanwhile, Thundercat, Robert Glasper, Terrace Martin, Christian Scott aTunde Adjuah and others are seamlessly fusing hip-hop, R&B and electronica with their jazz mastery, introducing elements of a century-old art form to new audiences.” From: Rolling Stone Article
From Amazon.Com: “One of jazz’s leading critics gives us an invigorating, richly detailed portrait of the artists” and events that have shaped the music of our time. Grounded in authority and brimming with style, Playing Changes is the first book to take the measure of this exhilarating moment: it is a compelling argument for the resiliency of the art form and a rejoinder to any claims about its calcification or demise.
I am looking forward to reading this. I pre-ordered the Kindle version for $13 and will read it on my tablet or computer. Amazon listing.